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EALCS is Proud to Congratulate Several of Our Own!!

EALCS is proud to congratulate Linshan Jiang for earning her Ph.D. and moving to a postdoc at Duke University!  Way to go Linshan!!

Huge congratulations to Sophia Shi who just earned her MA and is entering the Princeton Ph.D. program in Religion!   We know Sophia will do GREAT!

We celebrate the 2022 Mochizuki award winners, Dr. Akiyo Cantrell and Aidan Pedersen. Congratulations!

Congratulations Prof Sabine Frühstück — New coeditor (with Morgan Pitelka) of The Journal of Japanese Studies

The Journal of Japanese Studies is excited to welcome Sabine Frühstück as new coeditor (with Morgan Pitelka).  Sabine has been a regular contributor to JJS (and a member of its boards) since submitting her coauthored article on the normalization and management of violence in Japan’s armed forces in 2000 (if not before), and we look forward to her new contributions to JJS.  JJS is also deeply grateful to Janet Hunter for her service as coeditor since 2015 and particularly for her commitment to supporting early-career scholars and to the interdisciplinary JJS readership.

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Established in 1974, the Journal of Japanese Studies is a multidisciplinary and interdisciplinary forum for communicating new information, interpretations, and research on Japan.  Its core objective is to maintain an enduring record of highest-quality and evidence-based scholarship through the publication of empirical and interpretive work on Japan.

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Ph.D. Student Rachel Levine Invited to Present Paper in Paris!

Ph.D. student Rachel Levine invited to present her paper entitled “Beyond the Black Box: An Analysis of Sexual Violence in the Japanese Media” in a panel on “Transnational Perspectives on the HIstory of Media and Sexuality” at the 2022 annual meeting of the International Communication Association, held in Paris, May 26th to May 30th. Congratulations, Rachel!
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Kaitlyn Ugoretz Publishes New Article: “Do Kentucky Kami Drink Bourbon? Exploring Parallel Glocalization in Global Shinto Offerings”

Congratulations to Ph.D. candidate, Kaitlyn Ugoretz, for publishing “Do Kentucky Kami Drink Bourbon? Exploring Parallel Glocalization in Global Shinto Offerings”

Special Issue: Globalization and East Asian Religions, edited by Ugo Dessi and Lukas Pokorny.  Link to article on Humanities Commons CORE: https://hcommons.org/deposits/item/hc:45237
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Is a Tekagami a Text? Reading the Fragmentary in a Calligraphy Album

Friday, May 6, HSSB Room 4080, 4 – 5:30 PM

Join the Transregional East Asia RFG for a talk by Edward Kamens, Sumitomo Professor of Japanese Studies, Yale University, and Paul I. Terasaki Chair in U.S.-Japan Relations, UCLA.

Sponsored by the IHC’s Transregional East Asia Research Focus Group, East Asia Center, and Department of East Asian Languages and Cultural Studies

Flyer for Gagaku: Sound of a Thousand Years with Naoyuki Manabe Gagaku Ensemble

Gagaku: Sound of a Thousand Years — Lecture + Performance

Gagaku: Sound of a Thousand Years
Lecture + Performance at UCSB’s ART, DESIGN & ARCHITECTURE MUSEUM
Naoyuki MANABE GAGAKU Ensemble with special guest Maestro Hideaki Bunno
Thursday, April 28 at 5:30 — 7:30 pm
https://bit.ly/Gagaku2022

The Gagaku orchestra at the Imperial Palace of Japan was established in 701; its music is recognized by the government of Japan as a national intangible cultural property, and by UNESCO as part of the intangible cultural heritage of humanity.  The most ancient and continuously performed orchestral tradition in the world, Gagaku is exceptional in its combination of an archaic allure with unexpected contemporary features (free rhythms, complex sound clusters, controlled dissonance). In addition to the imperial court of Japan, Gagaku is also regularly performed at Buddhist temples and Shinto shrines in Japan as part of their respective liturgies.

In this lecture / performance, the musicians will demonstrate the sounds and techniques of their respective instruments and offer the audience a unique perspective on the appreciation of the millenarian world of Gagaku.  This event is organized by Fabio Rambelli (University of California, Santa Barbara) with Naoyuki Manabe, in collaboration with the Art, Design & Architecture Museum at UC Santa Barbara. Generous support is provided by the International Shinto Foundation Endowed Chair in Shinto Studies, UCSB; Robert N.H. Ho Foundation; and Michael Hurley/Manitou Fund.