Flyer for Gagaku: Sound of a Thousand Years with Naoyuki Manabe Gagaku Ensemble

Gagaku: Sound of a Thousand Years — Lecture + Performance

Gagaku: Sound of a Thousand Years
Lecture + Performance at UCSB’s ART, DESIGN & ARCHITECTURE MUSEUM
Naoyuki MANABE GAGAKU Ensemble with special guest Maestro Hideaki Bunno
Thursday, April 28 at 5:30 — 7:30 pm
https://bit.ly/Gagaku2022

The Gagaku orchestra at the Imperial Palace of Japan was established in 701; its music is recognized by the government of Japan as a national intangible cultural property, and by UNESCO as part of the intangible cultural heritage of humanity.  The most ancient and continuously performed orchestral tradition in the world, Gagaku is exceptional in its combination of an archaic allure with unexpected contemporary features (free rhythms, complex sound clusters, controlled dissonance). In addition to the imperial court of Japan, Gagaku is also regularly performed at Buddhist temples and Shinto shrines in Japan as part of their respective liturgies.

In this lecture / performance, the musicians will demonstrate the sounds and techniques of their respective instruments and offer the audience a unique perspective on the appreciation of the millenarian world of Gagaku.  This event is organized by Fabio Rambelli (University of California, Santa Barbara) with Naoyuki Manabe, in collaboration with the Art, Design & Architecture Museum at UC Santa Barbara. Generous support is provided by the International Shinto Foundation Endowed Chair in Shinto Studies, UCSB; Robert N.H. Ho Foundation; and Michael Hurley/Manitou Fund.

Banner for Gagaku: Music of the Imperial Ceremonies of Japan One Thousand Years of Elegance and Harmony

Gagaku: Music of the Imperial Ceremonies of Japan One Thousand Years of Elegance and Harmony

Santa Barbara Museum of Art, Mary Craig Auditorium
Wednesday, April 27, 2022 at 6 PM

This evening event will feature three musicians from the Naoyuki MANABE GAGAKU Ensemble led by Naoyuki Manabe. Manabe, who holds a degree from the prestigious Tokyo University of the Arts, is a composer, multi-instrumentalist and dancer who has performed internationally. The ensemble includes leading musicians, Yoshie Kunimoto and Yutaka Ota. Also performing is special guest Maestro Hideaki Bunno, former Director of the Gagaku Orchestra at the Tokyo Imperial Palace. Maestro Bunno is the 45th generation of a family that has transmitted the art of the sho, a type of mouth organ, an instrument unique to gagaku for more than 1300 years. In 2009, he received the prestigious prize from the Japanese Academy of the Arts. The Gagaku Orchestra at the Imperial Palace of Japan was established in 701; its music is recognized by UNESCO as part of the intangible cultural heritage of humanity.

Tickets for the gagaku event can be purchased on the Santa Barbara Museum of Art website at https://www.sbma.net/events/  This event is free for members and $5 for non-members.

Banner for Takashima Talks in Japanese Cultural Studies: Spy!, The Hunt for the 'Enemy Within' During the Battle of Okinawa: Rethinking Wartime Atrocities During the Asia-Pacific War

Takashima Talks: SPY! The Hunt for the “Enemy Within” During the Battle of Okinawa

 

THE HUNT FOR THE “ENEMY WITHIN” DURING THE BATTLE OF OKINAWA: RETHINKING WARTIME ATROCITIES DURING THE ASIA-PACIFIC WAR

This talk will detail the execution of Okinawans as “spies” by the Japanese military during the Battle of Okinawa, which was the last land battle of the Asia-Pacific War, and the one that resulted in the largest number of civilian deaths in the Pacific theater. I will foreground the fear of “spies” throughout the war in general as well as discuss different examples of spy executions, including the killing of children as “spies” in Okinawa. Lastly, I will discuss why these wartime atrocities were never prosecuted as war crimes, either by the Allies or the Japanese. The end of World War Two, the subsequent American occupation of Japan, and the collapse of the Japanese empire were events whose convergence resulted in the destruction of categories like civilian/military and Japanese/colonial. The abrupt dissolution of these categories had wide ranging consequences on how justice and revenge were pursued in the aftermath of the war.

WEDNESDAY, MAY 18, 4:00 — 5:30 PM
HSSB 4080

Koichi Takashima Lecture in Japanese Cultural Studies 2022: Tawada Yoko: Translation as Politics, Translation as Dream

Koichi Takashima Lecture 2022: Tawada Yōko — Translation as Politics, Translation as Dream

Koichi Takashima Lecture 2022: Tawada Yōko — Translation as Politics, Translation as Dream

The consistent process of disorienting geography, maps, and directions in Tawada Yōko’s fiction flies in the face of problematic distinctions between “areas” and the territorial boundaries they imply, assumptions still often dominant in studies of the “boundary-crossing literature” she is taken to represent. I contend, rather, that Tawada invites us to understand the reading of her texts as itself a “project of translation,” one Roland Barthes once asserted could “only be a dream.” All translation involves assuming uncertainty and risk, and this I, contend, implies the political risks of translation. I put the unstable, dream-like, uncanny Tawada text in dialogue with contemporary theorists of translation, including Emily Apter, Haun Saussy, and Gayatri Spivak.

Brett de Bary is Professor Emerita of Asian Studies and Comparative Literature at Cornell University. Her translation of Tawada Yōko’s Borudò no gikei (2009), together with a critical study of the text, is forthcoming from Columbia University Press in the volume. Tawada Yōko’s The Brother-in-Law in Bordeaux: Translation as Method.  Her essay on Tawada’s Fukushima novel, The Emissarv (Kentöshi, 2014) will be published this spring in Tales That Touch, ed. Brandt and Yildiz (De Gruyter)

TUESDAY, MAY 10, 4 — 5:30P M
UCSB:  MCCUNE CONFERENCE ROOM

Banner for Takashima Talks in Japanese Cultural Studies: The Democracy that Society Allows, Protest Sounds Japan and the US

Takashima Talks: The Democracy That Society Allows — Protest Sounds in Japan and the US

Takashima Talks: The Democracy That Society Allows — Protest Sounds in Japan and the US

Perceived attacks on the foundations of democracy in recent years have sparked large demonstrations, often numbering in the hundreds of thousands, in both Japan and the US. This paper will explore the ways in which democracy is sounded differently in street protests of two densely populated cities-Tokyo and New York-as shaped by urban geography, urban acoustics, participatory practices, and perhaps most importantly, policing. Analyzing protests as an interplay between urban space, cyberspace, police, and activist-musicians, the talk considers the ways in which the sounds of street protests reflect the kind of democracy that society allows.

WEDNESDAY, MAY 4, 4:00 — 6:30 PM
UCSB Campus:  SS&MS 2135